Matthew Bass. Mike Brinkley. Scott Bennett. Lena Oakes. Evan Drosky. Jose Manuel Zueco. Purchasable with gift card. At Doom's Gate The Imp's Song Dark Halls Kitchen Ace And Taking Names Suspense On The Hunt Demons On The Prey Sign Of Evil Hiding The Secrets I Sawed The Demons The Demons From Adrian's Pen They're Going To Get You Demons On The Prey Version 2 Sinister Waltz Of The Demons Nobody Told Me About Id Untitled Mouth For War Donna To The Rescue Deep Into The Code Facing The Spider See above entry for Per Kristian under Doom.
Doom and Doom 2. Chiptune Doom and Doom 2. This is a set of Doom and Doom 2 remixes, done by myself, where all the songs are remixed in chiptune style. The drums are higher quality than what you might find in a typical chiptune. Bart Klepka. Author's Comment: "I started mixing this tune with normal rock drums and basically was aiming for a better quality remake of the original midi. The bass drum I used sounds totally awesome on my headphones, so they has to stay.
The lead-up style is something I always loved in trance songs so I had a go at that too, tho I realise it might get a bit crowded here and there, I think it's still enjoyable. Hope you all agree. Episode 1, Mission 1. Jehovah Gyra. Says bigd in an old Doomcenter feature: "It rocks. They've done a great job of not only recreating the music, but also adding nice effects here and there, and adding more of a hard rock, in-your-face feel to it.
A very interesting take on At Doom's Gate. This song has some very kicking drums, a strong and full bass line, some interesting chorus leads, and a piano even makes an appearance.
This is all put together into one aurally stimulating piece. Episode 1 Mission 1 Guitarioed. I wish this MP3 was better quality, but you'll have to make do with only 64Kbps.
This is still a pretty good rendition of E1M1, though I can't tell if the guitar was programmed or sequenced in, or if it is actually live. The bass is pretty strong, and the drums are a bit explosive. Threshold of Doom. Not that I've listened to them very much, but this mix sounds like something that would come from Metallica. It's got E1M1 on both ends, but in the middle there's an interlude that sounds pretty much nothing like the original.
Still a song to get. Tristan Henderson. Yet another E1M1 remix, this is a decent tracked version of said song. Not much more to say than that.
At the Gate of Magnus Corpus. Author's Comment: "I got frantic one day, unable to compose on my own. And I remembered that one of my friends kept on asking me when I'd remix DooM. The first remix wasn't good enough, they wanted my take on the most infamous song, E1M1. After tinkering around with a couple new instruments I decided 'what the hell' and painstakingly transferring note for note the guitar melody. I tend to get my better idea when I'm not at my computer Always when I'm at work or driving around.
It makes it hard to jot down the notes for the different ideas, and I got most of the ideas while at work for this one.
After a while, it just grew to what it was. I hope you have a deep sub woofer, though That kicks hard. Andreas Melcom Urban.
A "re-recorded" version of E1M1's music. At least, I think it's E1M1. Takes a distinctly different angle on At Doom's Gate , and is probably different from what you're used to hearing.
Very ambient, smooth, and clear to listen to. A few original Doomish sound effects thrown in here and there. Worth the download. Sequenced with Cubase SX. Matthias Sachal. Author's Comment: "I've listened to some of the doom remixes hosted at your site, but now the time has come for THE one and only good e1m1 remix! Knee Deep in the Dead. The style is kinda like Therion sans choir mixed with Opeth.
Heart of Evil. This short but sweet rendition of E1M1 plays when you pick up the chainsaw while playing this Vietnam-based single player Half-Life modification. Even though it's not Doom, I highly recommend playing this Half-Life mod.
This piece is a well-done atmospheric mix of The Imp's Song. There's a some variation in the actual notes as compared to the original, but without that this wouldn't really be much of a remix.
The drum work is rather strong and nicely varied as well. Dark Hallz Simply Devilish Mix. This song will probably invoke extremes for most people, as you either like it or hate it. I, for one, like it. It's got loads of distortion on the drums, and some may argue that's what makes it sound good.
Get it and see. Synthetic Demon E1M5. Scott Peeples. The original was a rather boring atmospheric piece, and I changed it into an upbeat techno mix with a little orchestra and distortion tossed in for good effect : ". The 'Old School' sound was created by turning the stringed instruments into pianos and adding some sad whistling and a beat.
Tom Mustaine. I did a Google search on the author of this S3M, and it turns out the guy who made it apparently works for Ritual Entertainment now. Anyways, this isn't really advertised as a remix, but deserves to be called one. It adds a couple of instrumental elements not in the original song. Once again, buy a high end soundcard and this is near what it sounds like. This is a pretty neat solo piano rendition of Suspense. It's not just the original regurgitated though; there are several improvisations and just plain good piano work which definitely add something.
This is a somewhat dark, crunchy guitar rendition of the Doom song of the same name. The author has this to say about how it was made: "I used pretty crappy equipment.. Matt Demarco. In case you haven't noticed, E1M7 and E2M5 have the same music. Anyways, this is a rather heavy rendition of Demons on the Prey , and I'm not sure if the genre fits this song exactly.
At any rate, download it and form your own opinion. The Orichalcon. Author's Comment: "I always liked this song, but I could never find an ambient version of the song, it was always strings and heavy drums.
It was apparent to me that no one ever saw that the beauty of this song came from it's hauntingly sad mainline, not from the pounding on the drums in the background, they were just the icing on the cake. It's a moody Techno version. With vocals added by myself. A new-age type remix of Sign of Evil. Says DJ Pretzel of OverClocked ReMix : "I could go on and on about the textures in his ReMixes - this ReMix in particular has synths that seem distorted, but they never get ugly - they stay RIGHT on the fringe of being clean and distorted, where the textures shimmer but there's no grunge or feedback.
Episode 1, Mission 8. Another great work of art by Jehovah Gyra, this time a remix of Sign of Evil. Doom E1M8 Recreation. Jeremiah Sypult. This is a very good remix of E1M8's theme, by the creator of one of the tracks from Quake 2, Climb.
The atmospheric choir background and some subtle variations on the guitar lead, along with some fantacular drum work, make this piece definitely worth listening to. Features heart-thumping drum beats, cool guitar riffs, and big bass to give your next project a solid edge. This track is perfect for all your extreme sports, racing, action, and more. A powerful, sinister, dark, scf-fi, style track with stabs and booms complemented by dark effects with ghostly sounds and ambiences.
Great for film and cinematic productions that require a powerful and memorable background or underscore. Starting off as sweeping, and mysterious electronic music, this track builds into a glorious crescendo, unfolding with furious dubstep smash. Dreamy futuristic soundscapes followed by aggressive synthesizers and pounding drums.
A perfect choice for car ads, edgy electronic device marketing, sci-fi action, war or conflict, hard-hitting sports footage, etc. This bold rock track has powerful energy, it will bring confidence to your projects. Featuring crunchy guitars, fat bass, claps, and groovy drums. Ideal for extreme sports, sports videos, action movies, games, car advertising, exciting intros or trailer cuts, and much more!
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Create the enjoyment, danger, and elation of passing through a game level. Cool and gritty garage rock track with a big guitar riff and lots of attitudes. A perfect track for adding a cool vibe to your production. The dark instrumental track is perfect for scenes with edgy characters, motorsports, car racing, tv shows, film trailers, and more. Music is the most effective way to connect with an audience and inspire it to action. This dark, horror, orchestral melody, describes a dramatic, fearful, scary mood that will bring a more sinister atmosphere to your projects.
This track was inspired by dark, creepy games and scary movies. This cinematic, heroic, and scary epic music features ominous synths, electronic drums, and a massive brass section. This track could be perfect as background music for any mysterious project, videos about space exploration, epic adventures, crime documentaries, and more. This is powerful and aggressive trap music with strong kicks and powerful synth bass. This track can be used in television production as underlying sound for opening sequences in a dynamic TV film or internet programs, as well as compound jingle for TV announcements in extreme sport or movie programs.
Cool and exciting royalty-free hip-hop tune inspired by the spirit of urban life. Featuring dark synths, drums, pads, vocal samples, fx, and deep bass that give it a cool, edgy vibe. Best for street vlogs, fashion, extreme sports, lifestyle footage, and many other projects! This song will get your blood pumping! Epic hybrid orchestral track made in modern Hollywood style. Strongly heroic, it combines powerful choirs and symphonic orchestral elements.
This track has a sense of danger. Perfect for action movies trailers, war battles, science fiction or video games about superheroes, rescue missions. This powerful and dynamic trap music features strong bass, energetic kicks, and dramatic synths. Each element of this track compliments the next to result in a sensational fusion of catchy trap sounds. The fast tempo will keep viewers engaged even while the music builds in intensity.
Perfect for action-packed films, crime scenes, extreme sports, fighting games, and more. This haunting instrumental track contains a modern sound that draws on trap and hip-hop elements. Featuring Excellent and powerful basses, great drums beat and percussion, epic brass and strings. This wide-screen cinematic music is perfect for videos in which you want to emphasize a sense of purpose, energy, determination, drive to win, desire to succeed and be the best.
A mysterious track with xylophone, synth bass, exciting string runs, dramatic effects, and a mellow, driving rhythm. Great for podcast intros , true crime, mysteries, dramas, paranormal, spy themes, horror, and more! This one is super modern dubstep music with radically syncopated rhythmic percussion sounds, techno riffs, heavy drums, and basses. Ideal for project demonstrations, action game demos, extreme sports events, clubbing, and partying! A subgenre of doom music is the doom ambient music which is a fusion of dark ambient and doom metal.
Along with the low music and heavy vocals, the tracks from this genre often are composed with sad and slow tunes, itinerant melodies and paired with drums.
Here you can get the good quality doom music tracks in the form of mp3 wav format. You can simply listen to the streaming audio file or can download it for further use. The music available at Melody Loops is complete royalty free and easily accessible, thus you can enjoy the doom music genre to the fullest. You can thus, use these tracks and melodies of doom music for background music, parties or videos.
Sign In. How it Works. Sign Up. Doom Music Melodies. Mix with Mood. Mix with Style. Slowly Moderately Lively Fast. Click to Play Music. The Final Victory by Emilio Merone Majestic and powerful stomp track featuring hybrid percussion and vocal samples to create an energetic and brave mood.
Download MP3 Fallen Tree by Michael Musco This hard hitting and powerful industrial track creates a dark, powerful, and action packed sound which screams this is something to respect. Download MP3 Broken Storm by Michael Musco This hard hitting and powerful industrial track uses a dramatic build up and action packed rhythm to get its point across.
Download MP3 Industrial Power by Michael Musco This hard hitting and powerful industrial track creatives a dark and action packed sound which really gets its point across. Download MP3 No Way Out Of Here by Ionics Music In the late 20th century, new computer systems were being developed to replace humans in high-skill jobs, and advances in artificial intelligence caused many to fear the growth of civilization.
Download MP3 Spooked Out by Peter Cook You hear a sound in the middle of the night and your mind races, is it all in your imagination, or is it something else? Download MP3 Halloween Danger by Jon Wright Immerse yourself in a tension-filled drama of danger and intrigue with this ominous orchestral cue.
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