This electric monument in the form of a wall of sound was a product of Kevin Shields' deranged mind. It turned the history of rock upside down and remains a major source of inspiration for many musicians from all walks of life.
In , Nirvana was born: the most unexpected punk swerve of the end of the 20th century. A rocketing career, international hits, hordes of fans and a tragic epilogue for this worldwide phenomenon.
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Enjoy this album on Qobuz apps with your subscription Subscribe. Enjoy this album on Qobuz apps with your subscription Listen on Qobuz. Is it as good as Anthology , or slimmer compilations that focus exclusively on their Motown hits from the s and early '70s?
No, because there's way too much dispensable post-mid-'70s stuff on disc two. Still, for those who want an anthology that includes non-Motown hits particularly their early-'70s Dunhill singles and are reluctant to splash out for the four-CD Fourever box set, this is the best available alternative. And unquestionably, the first two-thirds or so of this collection is excellent, including all the big Motown hits; plenty of good, less celebrated lower-charting Motown singles, like "I'll Turn to Stone" the B-side of "7-Rooms of Gloom" ; and their early Dunhill hits, in which they capably imitated Philly soul stars the O'Jays and the Spinners.
But the group floundered as the '70s waned, and by the time of the ribald disco hit "Catfish," they were on the verge of not only losing their personality, but of embarrassing themselves. AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully.
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Streams Videos All Posts. My Profile. Advanced Search. Still, for those who want an anthology that includes non-Motown hits particularly their early-'70s Dunhill singles and are reluctant to splash out for the four-CD Fourever box set, this is the best available alternative.
And unquestionably, the first two-thirds or so of this collection is excellent, including all the big Motown hits; plenty of good, less celebrated lower-charting Motown singles, like "I'll Turn to Stone" the B-side of "7-Rooms of Gloom" ; and their early Dunhill hits, in which they capably imitated Philly soul stars the O'Jays and the Spinners.
But the group floundered as the '70s waned, and by the time of the ribald disco hit "Catfish," they were on the verge of not only losing their personality, but of embarrassing themselves.
Dean Taylor. Compilation producer: Harry Weinger.
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